Posted on

Waddings ~ how to care for your quilts & wash them

Hobbs have been making waddings/battings since1978.  Here’s what they recommend on using their waddings:

How should I wash and dry my quilts?
All quilts, old or new, should be washed with care. It is recommended to wash by hand or in a washer on the gentle cycle using cool water. Be especially cautious with front-loading washers as the intense spin cycle on these machines can be very hard on quilts, and avoid agitating your quilts to keep them in tip-top shape.

Drying should be done on the very lowest heat or air-dry setting. If no shrinkage is desired, laying the quilt out to air dry is recommended. Over-drying is detrimental to the long-term strength and colourfastness of any quilt and should also be avoided. Extreme heat and agitation should be avoided for all quilts, but particularly for quilts with cotton/wool, wool and silk battings (quilts made with these battings should be air-dried).

Vintage quilts require a more delicate process of gently soaking in a bathtub of cool water on top of a large sheet. Fill the tub, soak the quilt and drain the water. Repeat until the water runs clear. Do not lift the quilt during this soaking and rinsing process. Allow the final rinse water to drain away and use the sheet to carry the wet quilt to a flat surface appropriate for air-drying your quilt – the sheet helps to safeguard the quilt during transport, and without it, the weight of the wet quilt can cause thread breakage or tearing of fragile fabrics and batting.

Should I prewash my batting?
The short answer is NO! Hobbs Bonded Fibers does not recommend pre-washing our battings. The battings are designed to be used directly from the package and pre-washing, especially in a washing machine, is
likely to ruin them.

How do I remove creases or wrinkles caused by packaging?
You can lightly spritz your Heirloom® battings with a little bit of water and toss them into a cool, no-heat dryer for a few minutes to release stubborn wrinkles.
The one exception to this is our Heirloom Fusible 80/20. Because this batting has a water-soluble fusing medium sprayed on both sides of the batting, and it won’t fuse if it gets wet, this wrinkle-release trick can’t be used on this batting

Posted on

Backyard Happenings Spring bunting instructions

 

This is a lovely little project to put together quickly. It is also the perfect way to introduce children or beginners to some simple sewing.

You will need

A Backyard Happenings Bunting kit

Thread to match the panels (off white or beige) plus thread to match the bunting tape.

Sewing machine and general sewing notions, scissors, pins etc

 

Press all your fabric before starting. This ensures accurate cutting and piecing.

Cut all pieces of fabric into 8″ squares to match the size of the images.

Arrange the flags that will face forward in an order that you like and take a photo for reference. I alternated an image with a patterned fabric piece. You will have 9 flag fronts.

Next arrange the fabrics for the back of the flags to also make a pleasing display that spreads the colours and patterns evenly.

 

Pair up each front and back with right sides together and pin or clip to hold in place. Make sure any directional designs are facing the right way up.

Sew down the right hand side, across the bottom and up the other side on each flag. DO NOT sew across the top.

Trim a small triangle off the bottom two corners making sure not to cut through the seams. This makes the turning out easier.

Turn the flags the right way out, easing out the corners to make neat squares.

Making sure the flags and seams are straight, press each flag neatly. At this stage you can top stitch the three sewn sides if desired but it is not essential.

Lay the bunting tape down and finger press in half as you lay each flag into the fold, face up in the desired order, use your photo for reference. Remember to leave a tail each end of the bunting tape approximately 45cm/18″ long for ease of hanging later. Place each flag about 2″ or 5cm apart. Pin or clip the flags in place.

Tucking in the end of the tape, start sewing all the way along the tape anchoring down both sides of the tape and the flag as you go. Sew as close to the lower edge of the tape as possible but check that you are catching both sides. You can use a straight running stitch or a zig zag or decorative stitch if you prefer. Sew all the way along. Check for any stray threads and hang with pride and a little smile.

Posted on

Customers Gallery

See what our lovely customers make and share with us.

We will update this page regularly to add more photos so don’t forget to come back to check it out for inspiration. If you would like to share your creations pop in so we can photograph it or email us a clear picture and we will let the world see how fabulous you are.

 

Look at this beautiful Around My Garden quilt completed by Deborah using a kit from us. Just stunning

Ann has made this pretty cushion using her stash of One Stitch at a Time fabric by Lynette Anderson. She’s now busy making kits for her sewing group so they can make one too. We think it is beautiful.
Linda came back in with a new summer version of her Kimono that she has lovingly made using selection of Cranberries and Cream fabrics. It took one layer cake, two charm packs and 2 mini charms and was made using a vintage Vogue pattern.
Fiona has used the kits in the Platinum Jubilee Box to make the bunting, Union Jack cushion and the pincushion. She has added extra details with machine embroidery and we think it all looks amazing. Fiona said some of the embelishments were to hide errors but we are sure they are really purposeful design elements. How often do we do something similar and end up with a much improved individual project.

 

 

 

 

 

 

 

Look at these delightful cards that Lisa made using one of our Lucky Dip Stitchery kits, aperture cards and her imagination. We love that she has been inventive with the threads, fabrics and images.

 

 

 

 

Jane has made this very beautiful quilt using mainly French General fabrics.

These two Easter Egg Hunt wall hangings were made by Deborah. We love how she has put her own twist on them both. Pattern is by Hatched & Patched

 

 

 

 

Nautical Flag quilt by Jan
Jan asked us to create a vibrant kit for this Nautical Flag quilt. This pattern is in Nautical Quilts book by Lynette Anderson.
Alison Made this seaside bunting from our button and fabric kits
Kathy appliqued a cute trio of elephants onto a quilt top made using Little Ducklings fabrics
Sue also used Little Ducklings fabrics for her quilt top. We love how the two quilts look so different but so pretty.
Look at this amazing quilted kimono worn proudly by it’s creator. It was a real labour of love and we are pleased that we helped with the creation of her vision. From sketches and an idea of colours to contrast with the William Morris print, the kimono came to life.

 

Pat has been busy making these two beauties. One using Janet Clare fabrics and the other the Habitat range. Very different looks but both lovely.

 

Cindy has been very busy with these quiilts, some inspired by photos in the Quiltmania Diary that we sell each year. What gorgeous colours.

Posted on

Beaks & Bobbins Liberty Wall Hanging

Michelle used the Cottage Garden Stitch Kit from Beaks & Bobbins to create this delightful wall hanging. She has teamed it with pretty Liberty fabrics and we all love it. It reminds us of warm summer days and the heady smell of flowers dancing in the summer breeze.

To replicate this idea you will need the following-

the Beaks & Bobbins kit of your choice

Strips of fabric for the piecing and a piece for the backing to fit the size you make. Michelle used a fat 1/4 for the back, hanging sleeve, and one of the frames around the embroidery, plus a fat 1/8 for one frame and the binding, then three other strips of fabric for the remaining frames, approximately 1″strip x width of fabric or a fat 1/16 or fat 1/8 will do it

An 8″ or 10″ embroidery hoop if you like to use them

wadding approx 12″ square

a wire hanger, Michelle used the Flower Garden hanger

general sewing notions

 

Complete the stitch kit as per the instructions included.

Trim the completed panel to a neat square leaving at least a 1/4″ seam allowance all around. Approximately a 6 1/2″ square.

Cut 2 strips 1″ x 7″ and stitch to the sides of the panel

Cut 2 strips 1″ x 8″ and stitch to the top and bottom of the panel

Press and trim to a square.

Continue to add 1″ strips in this way until you have 5 frames around the panel. Each strip will increase by 1/2″ in length on each round ie frame two strips will be 1″ x 7 1/2″ and 1″ x 8 1/2″.

Layer up the finished top with wadding and the backing. Quilt as desired. Michelle stitched in the ditch between frames one and two, two and three and four and five.

Now add the binding and a hanging sleeve or tabs depending on preference. If adding a hidden hanging sleeve, sew this on before adding the binding. Cut a strip of fabric 11″ long x 2 1/2″ wide. Wrong side up fold over the short ends by 1/2″ and sew down, next fold in half wrong sides together down the length and stitch in place at the top of the back. *You can only use this method if you are using a dowel hanger otherwise you will need to add the wire hanger into your hanging sleeve before stitching the sleeve down. Hand stitch the sleeve down if needed to ensure it is hidden from the front.

Michelle added binding using the mitred corner method. Cut binding strips 2 1/2″ wide joining if needed depending on if you have width of fabric or fat 1/8s to work with. With raw edges matching sew your binding on, mitring the corners as you go. Hand sew the edge down on the back of your quilt.

Slide your dowel through the hanging sleeve and admire your summery creation.

 

 

Posted on

Mary’s Show n Tell

Our Mary is an exceptionally talented needle woman, and has designed so many beautiful patterns which we’ve run as classes, and sold as patterns and kits, & you can see a few of them here.

Mary made this gorgeous quilt using Brenda Riddle fabrics a few years ago that started as a Jelly Roll Race, but ended up as an alternative version of Rail Fence. It has little additions of small embroidered “heart felt sayings” on squares dotted throughout this pretty quilt, that were taken from an old magazine Vingette by Leanne Beasley.

We think it would look beautiful in Brenda’s latest fabrics which are called Grace.

Rail Fence Quilt

 

 

 

 

 

One of Mary’s beautifully designed kits is this Care, Share, Dream Rotary Wrap made from Le Beau Papillon French General fabrics, perfect for carrying your rotary cutters, etc., with purpose made pockets inside.

Care Share Dream

There’s nothing more iconic here in Cornwall than a Mining Engine House perched high on the cliffs, & Mary’s foundation pieced pattern Poldark reminds us of this.
Mary’s kit been made by so many of our customers, who have sent them all over the world to friends and family to remind them of home.

Poldark Country Kit & pattern

 

Posted on

Mandy’s Show n Tell

A lovely lady called Pam Woods started the embroidered pictures on this Gardener’s Journal Quilt, which Mandy inherited & has now completed & I think you’ll agree, is absolutely beautiful!

The Gardener’s Journal Quilt has been designed by Anni Down’s of Hatched & Patched & is in her book “A Gardener’s Journal”.

There are many small individual projects in the book, each using one of the adorable stitchery designs, or you can complete them all and make the full quilt.

Here are some close up photos of Mandy’s beautiful quilt.

 

 

 

Mandy has been using Songbook fabrics to make a stunning quilt she saw in the Homespun magazine issue 205.  She’s used a Songbook Layer Cake, or you could cut your own pieces from a fat 1/8th or fat 1/4 bundle too.  It has a background made from one Bella Solid Charm pack for a small quilt, or 1.5m of cream background fabric for a larger quilt.  Love the quilting Mandy!

Posted on

Michelle’s Show n Tell

Look at this gorgeous sample using one of the images from the Blume & Grow panel from The Birdhouse. Michelle has used fabrics from the Blume & Grow range and we think it’s a delightful sunny wall hanging that could also be made into a cushion. The back is equally as pretty as it is made up of pieced strips of the fabric. The hanging is displayed on a heart top wire hanger.

Michelle has plans for the remaining images to use in bags and a block keeper. Watch this space for updates.

Life’s a Journey is one of our all time favourite wall hanging patterns, with the words “Life’s a journey, take time to smell the flowers along the way”, which reminds us to stop for a moment and appreciate what’s around us, whilst we rush through our busy lives.

Designed by House on the Hill, their pattern was made in earthy colours, but we also love Michelle’s version done in beautiful Tilda fabrics in blues, pinks and reds!  Michelle & her friend Vicki stitched them “virtually” together, with Michelle here in Cornwall & her friend Vicki who’s overseas, & you can see their beautiful wall hangings below.

You can have fun embellishing the hearts and tabs with some of your favourite buttons from your button tin, or perhaps with a pack of our beautiful hand painted heart buttons?

Life's a Journey

 

 

 

 

 

 

 

Michelle has been busy designing a new paper pieced cushion using Lynette Anderson’s new fabrics, the Colour of Love fabrics by Lynette Anderson, with the Jewel 1.5″ x 3″ paper pieces to create the heart shapes.  There’s also an acrylic template available to help you cut out your pieces.

The hearts were stitched on a cream background & Michelle used our soft Sligo in Sand colour for the cushion back.

She’s added embroidery using DMC 221 & a lovely selection of wooden & shell heart buttons

You can make the cushion as long as you want, but Michelle’s is approx 40cm high x 1m long & has 1 1/2 pillows inside.  Michelle’s pattern is available to purchase here

Posted on

Botanicals Lap Quilt Using Days In Provence Pattern


In the last two years, especially after taking up wild swimming and with the addition of a puppy to our family, I have become more aware of the nature and landscapes around me in the beautiful county of Cornwall where I live.  From walking across fields & seeing wild flowers, to swimming in the sea & watching my friend Fi feed a friendly Robin after our swim, so when I was shown Janet Clare’s stunning Botanicals fabrics I fell in love with it.

I’d been looking for the perfect pattern to show off all the beautiful bird & flower designs featured on the Botanicals fabrics & decided to use the Days in Provence pattern by House on the Hill.

I used a fat 1/8th bundle of Botanicals fabrics, adding an extra 1 1/2″ (finished sized) border of Moda Textile Solid Parchment fabric, before adding the final border, which I chose the soft black Sligo Linen.

On two of the blocks where the lavender was embroidered on the original pattern, I used Janet Clare’s Little Wren embroidery kit instead, to keep with the theme of Botanicals.  I did a running stitch in a charcoal embroidery thread on the parchment border, adding a little snail who has slightly strayed from the line.


On the black Sligo Linen I embroidered the flying owl design found in Janet Clare’s beautiful Field Guide book, using chacopy paper to transfer the design onto the linen.

I put wadding in between, then backed it with a Farmer’s Shirt Flannel and quilted in the ditch, adding a chunky running stitch in embroidery thread on a couple of centre blocks as a feature, along with some black buttons on a couple of the longest thin blocks.

Finally to finish the quilt, I made a scrappy binding from the fabrics left from the fat 1/8th bundle.

Posted on

The Mermaid of Zennor

One fine Sunday morning in Zennor church, perched on the cliffs of Penwith, the choir and congregation were ready for service when through the church door came a strange lady of unearthly beauty.  Her green eyes looked back calmly at the villagers, who were staring, for newcomers were rare in that far-flung parish; her tawny-gold hair flowed down over her back, wild and untrained; the long dress she wore swept the ground like a bride’s train, and was made of some material that no one there had ever seen, for it shimmered like the sea on a sunny day.  She sat near the door in a pew on her own, away from other people.

In the choir were some fine singers, but none finer than Mathy Trewhella, a handsome young man who sang a clear high tenor:  his voice could be heard all over Zennor Churchtown when he wished.  As the choristers sang their hymns and psalms Mathy became aware of the stranger staring at him with those emerald-green mysterious eyes; when he looked at her it seemed to him that a queer faint smile hovered on her face.  After the service she was the first to leave the church, and those who went out after her thought it strange how rapidly she had disappeared, as they could not see her anywhere outside.

Five or six times this unknown lady came to Zennor church, always on a fine day, and always she sat far apart from the congregation, watching Mathy and listening to every note he sang.  Her eyes seemed to look right through him, and her gaze somehow reminded him of the dim light in caves under sea.  He determined that somehow he would find out who she was.

The next time she appeared in church he was ready.  Before the end of the service, as the parson gave the benediction, Mathy slipped from the choir stalls and let himself out of the little side door of the church.  And so, as soon as the lady emerged, first as usual from the main door, he was at her side.  She smiled as if she had been expected him, and took his arm; and thus they left the churchyard together.  People coming after them saw them take the winding path that led down the valley towards the sea.

That was the last Zennor saw of Mathy Trewhella.  His old mother was heartbroken for a long time, but at least she had other grown children to comfort her.  The story of how Mathy disappeared with the stranger was a great mystery, often talked about, and unsolved for many years; in fact two generations had been born and grew up in the village, and old Mrs Trehwella was in her grave before news came of him.

A ship bound for Penzance, and captained by a man who knew Zennor well, came by one day and anchored off Pendower Cove; she put out a boat to get some water from the shore.  Soon a woman’s voice was heard calling urgently, “Ship!  Ship ahoy!” and the watch, looking overboard, saw a mermaid with green eyes and tawny-gold hair swimming beside them.  “Tell your captain to haul up your anchor,” she cried.  “For ‘tis lodged against the door of my home on the sea-bed, and I can’t get in to my Mathy and children.”

At this the captain came to the side and questioned her.  “Excuse me, ma’am, but did you say your Mathy?  Mathy who, may I ask?”  Sailors are always very respectful to mermaids, who have powers to cause shipwrecks and disaster, and often use them if they are annoyed.

“Mathy Trewhella, my husband, of course,” she said.  “Now haul away, if you please.”  The captain did not stay to argue, but brought up the anchor immediately.  And with a swish from her long gleaming tail she was gone, diving down to the sea-bed and her family.

So Zennor heard the news, and learned Mathy’s fate.  Neither he nor the mermaid has ever been since, but in Zennor church now is a bench end carved to show what she looked like:  long flowing hair, a sea-siren’s face, and a curved scaly tail.  And for all we know, Mathy is still down there on the ocean floor, singing sweetly to his mermaid wife and their children.
Extract from Cornish Heritage Trust.

We love a Cornish folktale to inspire us & who doesn’t love a tale about mermaids!  Shell We Dance is a gorgeous range of “mermaid” themed fabrics by Lewis & Irene, perfect for a “Mermaid project”